"Lips", meanwhile, goes straight for the romantic jugular - flitting between emotive electronica and jittery, after-hours RnB.Ĭiting influences ranging from Cole Porter to Kanye, from Ella Fitzgerald to Drake, while many artists define themselves by the mixture of inspirations they’ve concocted, Marian Hill go one step further: fusing disparate sources into a compound sound that’s hard to imagine ever having been apart. Gathering information about dancers outfit please come back later Even if you’re a little follower on your means to becoming a huge one, we want to exist every step of the way. Working under a modus operandi to fuse the simplicity of timeless songwriting with the dexterous craft of modern pop production, "Got It" finds itself in the middle of a head-on collision between sultry soul and whirring synth brass. "Got It" and "Lips", the latest offerings from the duo, might be the finest syntheses of their output to date. d-d-down, d-d-down, down, down Everywhere I look are peoples hands Thrown up in the air to help them dance Come on. Many a moon down the line, following a stint studying music composition at college for Lloyd while Gongol was cutting her teeth in New York as a songwriter, the pair reunited in the former’s bedroom studio. Didnt even really wanna go But if you get me out, you get a show Theres so many bodies on the floor So baby we should go and add some more. Philadelphia electronic pop duo Marian Hill return with a pair of new tracks - "Got It" and "Lips" - that demonstrate two very different sides of their ever-maturing craft.Ĭomprised of Jeremy Lloyd (production/songwriting) and Samantha Gongol (vocals/songwriting), the pair’s roots can be traced back as far as a middle school talent show that saw Lloyd - the son of a conductor and an opera singer - hear Gongol sing for the first time.